Junior
Wells
The terrific thing about Junior Wells is that he's an unqualified
bluesman, stylistically a direct descendant of the Chicago greats
and personally an eccentric whose unpredictable singing and harp
playing distinguish him from everyone else alive.
"Comin' Right at Ya" was the title of one his breakthrough albums
in the 1960's and it still describes the Wells oeuvre. In short,
he takes no prisoners.
Recording to legend, Wells shoplifted his first blues harp and
got caught. The judge who heard his case was so impressed with
Wells' story that he just wanted to make music that he paid for
the instrument himself and set Wells free on the condition that,
if he ever made a record, he send one to him.
Wells did, years later. The album was called "Blues Hit Big
Town."
Like most dyed-in-the-wool blues stars, Wells' career has been
filled with ups and down. His initial popularity in the mid-60s
faded somewhat with the onslaught of '70s pop. The blues revival
of the '80s and '90s has re-energized him but he never had it
easy.
One constant throughout his most productive years has been his
kinship with guitarist Buddy Guy, who shares Wells' proclivity
for irreverence, good humor and bottom-of-the-heap funk. Their
duo work has yielded some of the most memorable moments in modern
blues history.
To say that Wells is the genuine article is to understate the
matter. He hails from the same school of tatanic blowharp virtuosity
that gave us Little Walter, James Cotton and a few (precious few)
others.
His is the sound of the Chicago streets, the Maxwell Street
market, the juke joints, the after-hours sessions, the road-weary
gigs and the hostile territory into which any artist must go to
prove his worth.
The beauty of it is that after all these years Wells doesn't
have anything at all to prove.
To paraphrase Willie Dixon who knew what he was talking about,
Junior Wells IS the blues.
EDITORS NOTE: Wells' next release will be recorded in April,
with bass, drums and 5 or 6 of the finest slide players available.
Then he'll record a live album with his whole band.**
|